From the Being - not Being series of 1984, up to the present moment of Chess Continuum, I've been interested in the relation of Opposites. Forces viewed as mutually defining as much as negating each other, in the formative power of Logos as Eros.

My work has mainly been installation - performances, very often site specific and interactive in character, where the spectator gets physically engaged within the system of the work.
This is a position that entails a shift from the object, to the system of dynamic relations of subject – object, and can be traced throughout my work.